Introduction: La liberté cartésienne.--Les principes de la philosophie.--Méditations.--Lettres: Au P. Mesland, 2 mai 1644. A Élisabeth, janvier 1646.--Les passions de l'âme; des passions en général et par occasion de toute la nature de l'homme.--Discours de la méthode.--Lettre à Élisabeth, 18 mai 1645.--Les passions de l'âme; des passions particulières.

Simone de Beauvoir’s readers who saw a heterosexual ideal in her relationship with Jean-Paul Sartre must have been dismayed by the 1990 French publication of her Journal de guerre (Wartime Diary) and Lettres à Sartre (Letters to Sartre). Discovered after Beauvoir’s death in 1986 and edited for publication by her adopted daughter, Sylvie Le Bon de Beauvoir, Beauvoir’s Wartime Diary and Letters to Sartre recount her sexual affairs with several young women. In Deirdre Bair’s authorized (...) biography of Beauvoir, also published in 1990, Bair describes the young women in question as merely Beauvoir’s friends and reports that Beauvoir denied having sexual relationships with women (Bair 1990, 213-15, 510). With the publication of the wartime diary and letters, Beauvoir’s readers and her biographer were thus confronted with the uncomfortable revelation that Beauvoir had lied to them about her sexual relationships. -/- Given society’s attitudes towards bisexuality, Beauvoir’s lies about her relationships with women may be understandable. But evidence, first discovered in Beauvoir’s and Sartre’s wartime diaries and letters by Edward Fullbrook, that Beauvoir lied about her work in philosophy and her influence on Sartre, is more perplexing (Fullbrook and Fullbrook 1993, 97-127; Fullbrook 1999). Beauvoir earned a graduate agrégation degree in philosophy and authored numerous philosophical novels and essays. But her philosophical work, including her metaphysical novel, She Came to Stay (1943)—the story of an unconventional solipsist who, forced to recognize the existence of other minds, resorts to murder as a solution to the problem of the Other—has traditionally been dismissed as a literary application of Sartre’s philosophy in Being and Nothingness (1943), a view paradoxically encouraged by Beauvoir herself. While the evidence that Beauvoir lied about her work in philosophy may be disconcerting, it does open up new areas of research, as I’ll suggest below, raising questions about her philosophy in She Came to Stay, her philosophical relationship with Sartre, and the wartime transformation in her philosophy that were foreclosed by the traditional reading of Beauvoir as Sartre’s follower. -/- . (shrink)

No ensaio Que é a literatura? publicado originalmente em 1947, Jean-Paul Sartredesenvolve os seus argumentos em resposta às duras críticas que recebia em razão do princípiodo engajamento característico de suas obras literárias. Esses críticos entendiam que Sartreutilizava a literatura como pretexto para propagar e defender suas teses políticas e filosóficas,produzindo assim um tipo de literatura engajada, distorcendo e empobrecendo o sentido nobreda arte das belles-lettres. Em resposta a essas críticas, a intenção de Sartre é fazer uma exaltaçãoda literatura, (...) compreendendo-a como um livre desvendamento do sentido de mundo por meiode um objeto imaginário, um pacto de generosidade entre autor e leitor. Com objetivo dediscutir o sentido filosófico da literatura, este artigo se fundamenta na ontologiafenomenológica de Sartre e nos argumentos apresentados pelo autor em resposta a seus críticos,apresentando o princípio de engajamento a partir do conceito de intencionalidade daconsciência e o sentido fenomenológico da imaginação, entendendo que se trata de umadiscussão que embasa filosoficamente o entendimento do autor sobre o que é a literatura e suaimportância para a constituição da subjetividade e afirmação da liberdade. (shrink)

This book is a comprehensive study of the writings of Jean-Paul Sartre. As well as examining the drama and the fiction, the book analyses the evolution of his philosophy, explores his concern with ethics, psychoanalysis, literary theory, biography and autobiography and includes a lengthy section on the still much-neglected study of Flaubert, L'Idiot de la famille. One important aim of the book is to rebut the charges made by many theorists and philosophers by revealing that Sartre is in (...) fact a major source for concepts such as the decentred subject and detotalised truth and for the revolt against individualistic humanism. Dr Howells also takes into account much posthumously published material, in particular the Chaiers pour une morale, but also the Lettres au Castor and the Cranets de la drole de guerre. The work is a substantial contribution to Sartre studies, but has been written with the non-specialist in mind; to that end all quotations are translated into English and gathered in an appendix. (shrink)

This article challenges the view, originating in Heidegger’s Letter on Humanism, according to which Sartre’s thought remains wedded to a substantial, “humanist,” conception of the subject. Beginning with an account of Heidegger’s critique in the Letter, I examine the idea that humanism posits the human as a mode of entity in the world, thus precluding an originary enquiry into its nature. Next, I show how Heidegger is wrong to attribute such a view to Sartre. Turning to The Transcendence (...) of the Ego, we see how Sartrean phenomenology reveals human beings as essentially worldly. Further, this engagement with Sartre allows us to see how we can reject humanism while maintaining a distinct meaning for the human. Specifically, interpreting Being and Nothingness makes clear how, when the human is conceptualized as the modification of world that is nothingness, it can have a distinctive being without existing as humanism’s subject-entity. Cet article met à l’épreuve l’idée qui prend son origine dans la Lettre sur l’humanisme de Heidegger selon laquelle la pensée de Sartre demeure attachée à une conception substantielle, « humaniste », du sujet. En commençant par un examen de la critique hei-deggérienne dans la Lettre, je considère l’idée qui veut que l’humanisme pose l’être humain comme un mode d’étant dans le monde et rende ainsi impossible un questionnement de sa nature. Ensuite, je montre comment Heidegger a tort d’attribuer une telle perspective à Sartre. Si l’on se tourne vers La transcendance de l’ego, on voit que la phénoménologie sartrienne révèle l’être hu-main comme essentiellement mondain. De plus, cet engagement avec la pensée sartrienne nous permet de voir comment on peut re-jeter l’humanisme tout en maintenant un sens distinct pour l’être humain. Plus spécifiquement, une relecture de L’E tre et le ne ant clarifie comment une conceptualisation de l’être humain comme la modification du monde qu’est le néant permet d’attribuer à l’être humain un être distinct sans pour autant en faire l’étant-sujet de l’humanisme. (shrink)

In three interviews, the Marxist historian and scholar Perry Anderson takes Sartre on a wide-ranging tour of his philosophy and politics.

In a series of highly publicized articles in 1952, Jean-Paul Sartre engaged Albert Camus in a bitter public confrontation over the ideas Camus articulated in his renowned work,. This volume contains English translations of the five texts constituting this famous philosophical quarrel. It also features a biographical and critical introduction plus two essays by contemporary scholars reflecting on the cultural and philosophical significance of this confrontation.

A leading authority in contemporary and digital photography places images of the transitions of American cities in the 1980s and 1990s beside Sartre's meditative essays based on an extended visit to America in 1945, in a volume originally published as part of The Aftermath of War.

Carta a Sartre.--La nueva tipología psicosomática.--Sobre Bacon y la libertad de la cultura.--Vocabulario de filosofía orgánica.

Publié en 1989, La Lettre à Louise mettait bien involontairement le doigt sur le secret de famille que révèlera le Journal, publié post-mortem par Jean Jamin. Ce qui, dixit Jamin impressionna Leiris et eut bien des conséquences. L’article est aujourd’hui un peu fané, mais son histoire vaut le détour du signifiant.

Nouvelle édition critique et traduction française annotée de la _Lettre à Marcella_ de Porphyre. Le philosophe néoplatonicien Porphyre (234-305) y adresse à sa femme un témoignage unique sur la manière dont une vie philosophique peut être conduite et se préserver. This book presents a new annotated and translated edition of neoplatonist 3rd-century Greek philosopher Porphyrius’ _Letter to Marcella_. This letter, adressed to his wife, gives a unique account on the ways and principles along which a philosophical life should be led (...) so as to perpetuate itself. (shrink)

It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture (“Existentialism Is a Humanism”) was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he (...) was about to make it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity. The idea of freedom occupies the center of Sartre’s doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes (“existence precedes essence”). Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind. This book presents a new English translation of Sartre’s 1945 lecture and his analysis of Camus’s _The Stranger_, along with a discussion of these works by acclaimed Sartre biographer Annie Cohen-Solal. This edition is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre’s introduction and a Q&A with Sartre about his lecture. (shrink)

Jean-Paul Sartre is one of the most famous philosophers of the twentieth century. The principal founder of existentialism, a political thinker and famous novelist and dramatist, his work has exerted enormous influence in philosophy, literature, politics and cultural studies. Jean-Paul Sartre: Basic Writings is the first collection of Sartre's key philosophical writings and provides an indispensable resource for readers of his work. Stephen Priest's clear and helpful introductions make the volume an ideal companion to those coming to (...) Sartre's writing for the first time. (shrink)

First published in France in 1936 as a journal article, The Transcendence of the Ego was one of Jean-Paul Sartre's earliest philosophical publications. When it appeared, Sartre was still largely unknown, working as a school teacher in provincial France and struggling to find a publisher for his most famous fictional work, Nausea . The Transcendence of the Ego is the outcome of Sartre's intense engagement with the philosophy of Edmund Husserl, the founder of phenomenology. Here, as in (...) many subsequent writings, Sartre embraces Husserl's vision of phenomenology as the proper method for philosophy. But he argues that Husserl's conception of the self as an inner entity, 'behind' conscious experience is mistaken and phenomenologically unfounded. The Transcendence of the Ego offers a brilliant diagnosis of where Husserl went wrong, and a radical alternative account of the self as a product of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness : the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context. (shrink)

A cornerstone of Sartre’s philosophy, _The Imaginary_ was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, _The Imaginary_ crystallized Sartre's worldview and artistic vision. The book is an extended examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to (...) imagine objects both as they are and as they are not – ideas that would drive Sartre's existentialism and entire theory of human freedom. (shrink)

"A driving force in all Sartre's writing is his serious desire to change the life of his reader." -- Iris Murdoch.

'Search for a Method' is a separate and introductory essay published together with 'Critique of Dialectical Reason'.

_Critical Essays _ contains essays on literature and philosophy from a highly formative period of French philosopher and leading existentialist Jean-Paul Sartre’s life, the years between 1938 and 1946. This period is particularly interesting because it is before Sartre published the magnum opus that would solidify his name as a philosopher, _Being and Nothingness_. Instead, during this time Sartre was emerging as one of France’s most promising young novelists and playwrights—he had already published _Nausea, The Age of (...) Reason, The Flies, _and_ No Exit_. Not content, however, he was meanwhile consciously attempting to revive the form of the essay via detailed examinations of writers who were to become central to European cultural life in the immediate aftermath of World War II. Collected here are Sartre’s experiments in reimagining the idea and structure of the essay. Among the distinguished writers he analyzes are Francis Ponge, Georges Bataille, Vladimir Nabokov, Maurice Blanchot, and, of course, Albert Camus, whose novel _The Stranger _Sartre endeavours to explain in these pages. _Critical Essays _ also contains a famous attack on the Catholic novelist François Mauriac, studies of the great American literary iconoclasts Faulkner and Dos Passos, and brief but insightful essays on aspects of the philosophical writings of Husserl and Descartes. This new translation by Chris Turner reinvigorates the original skill and voice of Sartre’s work and will be essential reading for fans of Sartre and the many writers and works he explores. “For my generation he has always been one of the great intellectual heroes of the twentieth century, a man whose insight and intellectual gifts were at the service of nearly every progressive cause of our time.”—Edward Said. (shrink)

Si la reprise de la recherche philosophique demande aujourd'hui à être menée d'une manière radicale, il ne suffit pas de compléter une philosophie déjà existante en y intégrant certains problèmes actuels. En effet, c'est l'esprit lui-même qui a été comme cassé. Le primat de la négation est allé si loin que l'intelligence, dans son fondement, dans sa relation même avec l'être, est véritablement brisée. Aussi est-il nécessaire de redécouvrir en premier lieu le point de départ de toute démarche philosophique, au-delà (...) de cette rupture. Chacun aujourd'hui doit s'interroger sur ce qu'il est comme personne humaine. Dépassant les idéologies pour retrouver le réalisme d'une authentique recherche de la vérité, il doit redécouvrir, à partir de ses propres expériences, ce qui donne à sa vie un sens. (shrink)

The purposes of writing -- The itinerary of a thought -- Vietnam : imperialism and genocide -- Czechoslovakia : the socialism that came in from the cold -- France : masses, spontaneity, party -- Kierkegaard : the singular universal -- Mallarmé : the poetry of suicide -- Tintoretto : St. George and the dragon -- The man with the tape-recorder -- Psychoanalytic dialogue -- Reply to Sartre--Pontalis -- Reply to Sartre--Pingaud -- A plea for intellectuals -- A friend (...) of the people. (shrink)

“He devoured her with his eyes.” This expression and many other signs point to the illusion common to both realism and idealism: to know is to eat. After a hundred years of academicism, French philosophy remains at that point. We have all read Brunschvicg, Lalande, and Meyerson,2 we have all believed that the spidery mind trapped things in its web, covered them with a white spit and slowly swallowed them, reducing them to its own substance. What is a table, a (...) rock, a house? Answer: a certain assemblage of “contents of consciousness,” a class of such contents. Oh digestive philosophy! Yet nothing seemed more obvious: is not the table the actual content of my perception? Is not my perception the present state of my consciousness? Nutrition, assimilation! Assimilation, Lalande said, of things to ideas, of ideas by ideas, of minds by minds. The corpulent skeletons of the world were picked clean by these diligent diastases: assimilation, unification, identification. The simplest and plainest among us vainly looked for something solid, something not just mental, but would encounter everywhere only a soft and very genteel mist: themselves. (shrink)

Jean-Paul Sartre's famous autobiography of his first ten years has been widely compared to Rousseau's Confessions. Written when he was fifty-nine years old, The Words is a masterpiece of self-analysis. Sartre the philosopher, novelist and playwright brings to his own childhood the same rigor of honesty and insight he applied so brilliantly to other authors. Born into a gentle, book-loving family and raised by a widowed mother and doting grandparents, he had a childhood which might be described as (...) one long love affair with the printed word. The Words explores and evaluates the whole use of books and language in human experience. (shrink)

The writings published here are not so much an epitome as episodes. But most do not digress. They mark the turns and turning points of a human style, the tropes of an expressive life embodying the changing tempos of an age. Until we fall silent, all of us are trying to say. These fragmentary efforts to speak to, rejoin, and help create a new community of liberated human beings constitute the epigraphs of Sartre's historical inscription.